Advertising :: The advertiser or the agency has defined a media brief ::
THE FACTORS TO CONSIDER The advertiser or the agency has defined a media brief, and has listed the range of media available. But what should those media provide? What is it that the advertiser should look for? Different circumstances require different benefits, but in overall terms there are certain basic criteria the advertiser needs to consider when seeking to put together a media plan. These are the media essentials. CoverageHow much of the target audience does the medium cover? The advertiser should not just be looking for sheer size, or circulation, but coverage. The aim is to cover as much of the target audience as fully, as economically and as comfortably as possible. Readership or viewershipTo assess coverage, the advertiser needs not only to know the circulation of a magazine or the number of sets switched on to a TV programme, but the full audience of those media; in a magazine not just the copies sold but the number of readers, or the size of the readership; for TV, the size of viewership. And so on for the other media. FrequencyHow often is the message seen? What is the frequency of messages delivered? In cases where repetition is required, frequency is a key factor. But there is a balance to be struck. The advertiser has to make a decision: is it better to deliver several messages to a smaller audience (by running a number of insertions in one publication) or to deliver fewer messages to a wider audience? On a limited, given budget this judgement may to a large extent depend on what is called for in the media objectives. Opportunity to seeThe gross number of media or of space insertions is not the key requirement. The advertiser needs to establish if possible a high rate of ‘opportunities to see’ - OTSs. This factors out the number of insertions against the size of the audience and establishes the average number of times an average member of the target audience has the opportunity to see a message. This is the best measurement of the achievement of an advertising schedule. Value and costOn a set budget, the advertiser will presumably look for value for money and cost benefits by selecting those media which deliver the best audience size with the greatest cost value. EconomyDifferent media cost different sums. It is important to evaluate their comparative economy, one against the other. The method here is to factor out their cost per ’000. This takes a unit of space (say, one-column centimetre) and divides the cost of this unit into the number of thousands of readers. If a unit of space costs £10 and there are 10,000 readers then the cost per ’000 is £1. Using the cost per ’000 measurement, it is possible to compare media. Other things being equal (which they are not always) a low cost per ’000 is the desired objective. Timing and durationThese may be major issues. If buying days, for example Saturdays, are key, then the advertiser must use those media which can provide concentration on a day-by-day basis. Again, campaigns may need to be of a certain duration for which some media are more suitable than others. Response factorsResponse mechanisms such as a coupon, a Web site address or a telephone number may be necessary. Again, certain media behave better for response messages. ImpactOTS is an ‘opportunity to see’. But the advertiser may demand real seeing, not just an opportunity. So does the medium have impact? Or the potential for actual seeing or viewing? Media may provide such opportunities in particular ways: - Size: a large size may be more visible than a smaller size. But, is it better to have fewer large sizes or more smaller sizes? Whatever the choice, in all cases the advertiser must stipulate a size. - Position: better positions may have better visibility: poster sites near a shopping centre, a solus front page space in a newspaper, a TV spot in the main evening TV news broadcast, inside the front cover of a magazine. But again, if a premium is to be paid for special positions, is it worth it? - Colour: impact can be gained fromcolour.Howmuch is it worth? - Timing: this factor can achieve impact. Advertising at the right moment may ensure greater attention from the audience. |
legal disclaimer
Our website is not responsible for the information contained by this article. Web-articles is a free articles resource.
Suggestion: If you need fresh, daily updated content for your website, feel free to use our service. Click here for more information.
related articles
1. Outside production service. Turn over the ad to an outside service and let them do everything else. This is the easiest way to go, and not too expensive. 2. Desktop publishing. If you are very skillful at using your computer to set type, try to typeset the ad yourself. But unless the end result looks as good as professional typesetting, turn it over to the pros. 3. Typesetting by your medium. If your advertisement will run in a single magazine or news...
COOPERATIVE ADVERTISING Cooperative (co-op) advertising is an agreed-on sharing of specified advertising costs or other promotional costs among manufacturers and retailers or analogous groups. Co-op is an arrangement beneficial to both manufacturers and their business partners and an excellent way to expand advertising and promotion dollars. Co-op can extend far beyond the traditional print and broadcast media; in fact, many manufacturers now allow Internet advertising under the guidelines o...
3. Who reads newspapers
WHO READS NEWSPAPERS The simple and truthful answer to “Who reads newspapers?” is “Just about everyone!” Though the trend in newspaper readership is downward, the majority of adult Americans, regardless of income, race, or sex, read either a daily or Sunday newspaper, and many of them read both. Furthermore, they read their paper not only for news and features but according to an Advertising Age study, even more intensely for the paper’s advertising, in...
4. Flyers, Brochures, Bulletins, and Invitations
FLYERS AND BROCHURES: HOW THEY DIFFER In standard trade usage, a flyer is made from a single sheet of paper. By contrast, a brochure is in articlelet format. In working with outside sources, find out what distinction they make, so that you both speak the same language. Because different suppliers may have different definitions, keep your internal nomenclature consistent and “translate” as you go along. A BRIEF MANUAL OF PROCEDURES...
5. Brochures layout and design
A BASIC DESIGN CONCEPT The One-Third Guide For a one- or two-page piece (each page is one side of a sheet of paper, not the sheet itself ), allow approximately one-third of the space for each of the: • One-third for headlines and subheads, plus information about ordering or a coupon and your logo—that is, the special way you identify yourself. Frequently, your logo is also the way your name, address, phone, fax, e-mail, and website appear on your let...
6. Bulletins and invitations advertising
BULLETINS, INVITATIONS, AND INVITATIONAL BULLETINS Bulletins and invitations are widely—and successfully—used for business-tobusiness seminars to sell products and services. They are discussed together because, for advertising and promotional purposes, their uses are frequently the same. Bulletins are also used for two other purposes with which you may be involved as a creative resource: 1.Bulletins that must be posted, but that no one reads. State an...
7. Advertising mail and direct marketing methods
DIRECT MARKETING METHODS Direct magazine’s 2002 analysis shows 19 methods to persuade or sell your prospects and customers through direct marketing. Though not all are in this article, they all are covered in this article. • Card packs • Fax marketing outbound • Catalogs • Freestanding inserts • CD-ROM marketing • Inbound telemarketing (including toll-free) • Co-op mailings • Interactiv...
8. Mailing lists advertising
MAILING LISTS The single most important factor in selling by mail is the mailing list. According to a Dun & Bradstreet online report, other factors being equal, the list contributes 60 percent to the success of your mailing. Offer is given 20 percent; copy, 15 percent; and format (design, envelope, art treatment, etc.), 5 percent. The art and science of selecting lists lie in our ability to match the recipient with the offer—to mail only to those most likely to buy. No...
9. Create mailing list
CREATING YOUR OWN MAILINGS: THE LETTER Article 4 covered the creation of the flyers or brochures you might include in your mailings. Article 6 will concentrate on letters. Just as the list is the most important external factor in determining whether direct mail will be successful, the letter is almost always the most important internal element within the mailing itself. In our experience, which ranges from self-mailers to catalogs to elaborate multicomponent mail...
10. Self mailer marketing
SELF-MAILERS AND REPLY CARDS Think of your self-mailer as a large sheet of paper on which you print and then cut out an envelope, a letter, a brochure, and a coupon or reply form. But instead of cutting them apart, you fold the sheet in such a way that, when unfolded, they present your message in a logical fashion. NOTES ON THE DIRECT MAIL CREATIVE CHECKLIST These notes are a supplement to the material presented in...