Setting Objectives and Developing a Strategy

an article added by: Flint O. at 09282009


In: Root » Business » Advertising » Setting Objectives and Developing a Strategy

French Spanish Portuguese Italian German Japanese Chinese Korean Russian Arabic

The advertising campaign is produced to achieve a purpose, to achieve what the advertiser desires, or needs. Advertising succeeds if it meets its requirements. It fails if it does not do so. The problem is that there is considerable room for misunderstanding or disagreement. One person may contend that the advertising looks good, says the right thing and has been a great help. Someone else in the organisation maintains that the advertising was irrelevant, did not mean anything and was a waste of time. Both probably work from different assumptions. They look for different things.

Advertising does not work in the abstract. It sets out to meet a concrete need, with a specific response. As an example, Guinness was developing a down-market image and was being eroded by brighter, lighter drinks. It needed a counter-claim. Hence, ‘Guinness Is Genius’, conveyed via bright, provocative and modern images. A positioning objective, met by a positioning response. Specific aims, specific programme.

Indeed, the more specific the advertising objective, the more helpful and the more specific can be the campaign development. Advertising - like most commercial processes - works by being precise: the more precise, the more effective.

Targeting must be precise, media selection must be precise, creative thinking must be precise and all have to spring from a precise statement of objectives. The first function of the advertiser, the moment the time has come to consider an advertising programme, begins with the establishment of objectives. All else springs from this.

The question, of course, is who exactly sets these objectives? There is room for confusion. An objective must always be set. But it can originate from a number of sources:

- the person in charge of the advertising: the advertising manager, or product manager, or communications manager

- the marketing director, in charge of the complete marketing effect

- the corporate management: the department director, or the corporate chairman, or the Board

- another department which needs to use the advertising for its own purpose, eg the sales force

- the advertising consultant or service, such as the advertising agency.

Objectives may proceed from a mix of all five, but on the whole it is wise for the communications manager to act both as an originator and a coordinator of these various forces. That is, he or she consults any other department concerned (such as sales), checks back with and takes advice from the management level, formulates a statement of objectives, then checks it back again with the management and obtains formal approval.

The communications manager is the communications professional and has the communications responsibility - and therefore rightly should formulate the marketing need into communications terms. The sales force is allowed to put their point of view forward and the finance department is consulted on the financial and costing aspects but it’s the communications manager who is at the centre of the objectives-setting process.

The managing director or Chief Executive officer needs both to state what is required from the management level, and to give approval to the final proposed statement of objectives. The advertising agency (if one is used) is informed about the objectives, may be asked an opinion but in the end has to act under the organisation’s instructions - and does not have the ultimate responsibility for setting objectives.

Many would not wish to do so. In smaller organisations, a single person may at one and the same time combine both the management and communications roles.

And in large organisations, a department director (eg marketing director) may assume the management role. But common to all is the one single priority: to set a clear, accurate, sensible and practical set of objectives, with everyone in agreement. It should also be said that objectives can take two forms:

- the simple, and informal, where one individual may quickly brief another, perhaps verbally and without complication

- the formal, the written and the detailed.

The former is no doubt satisfactory for smaller campaigns, or incidental one-off advertisements. But for anything requiring considerable expenditures, on which major outcomes rely, there is no substitute for a detailed, formal statement, usually in written form.

legal disclaimer

Our website is not responsible for the information contained by this article. Web-articles is a free articles resource.
Suggestion: If you need fresh, daily updated content for your website, feel free to use our service. Click here for more information.

related articles

1. How to write an ad
WRITING THE AD: WHERE TO START Every ad is made up of four elements: 1. The headline, commonly called “the head.” 2. Body copy, which is everything except the headline and the identifying signature, or “logo.” 3. The offer, which is part of the body copy but has to be thought out separately. 4. The logo, or signature, which identifies you and is generally the same as or very similar to your letterhead. My person...

2. Advertising Typesetting Options
1. Outside production service. Turn over the ad to an outside service and let them do everything else. This is the easiest way to go, and not too expensive. 2. Desktop publishing. If you are very skillful at using your computer to set type, try to typeset the ad yourself. But unless the end result looks as good as professional typesetting, turn it over to the pros. 3. Typesetting by your medium. If your advertisement will run in a single magazine or news...

3. Cooperative advertising
COOPERATIVE ADVERTISING Cooperative (co-op) advertising is an agreed-on sharing of specified advertising costs or other promotional costs among manufacturers and retailers or analogous groups. Co-op is an arrangement beneficial to both manufacturers and their business partners and an excellent way to expand advertising and promotion dollars. Co-op can extend far beyond the traditional print and broadcast media; in fact, many manufacturers now allow Internet advertising under the guidelines o...

4. Who reads newspapers
WHO READS NEWSPAPERS The simple and truthful answer to “Who reads newspapers?” is “Just about everyone!” Though the trend in newspaper readership is downward, the majority of adult Americans, regardless of income, race, or sex, read either a daily or Sunday newspaper, and many of them read both. Furthermore, they read their paper not only for news and features but according to an Advertising Age study, even more intensely for the paper’s advertising, in...

5. Flyers, Brochures, Bulletins, and Invitations
FLYERS AND BROCHURES: HOW THEY DIFFER In standard trade usage, a flyer is made from a single sheet of paper. By contrast, a brochure is in articlelet format. In working with outside sources, find out what distinction they make, so that you both speak the same language. Because different suppliers may have different definitions, keep your internal nomenclature consistent and “translate” as you go along. A BRIEF MANUAL OF PROCEDURES...

6. Brochures layout and design
A BASIC DESIGN CONCEPT The One-Third Guide For a one- or two-page piece (each page is one side of a sheet of paper, not the sheet itself ), allow approximately one-third of the space for each of the: • One-third for headlines and subheads, plus information about ordering or a coupon and your logo—that is, the special way you identify yourself. Frequently, your logo is also the way your name, address, phone, fax, e-mail, and website appear on your let...

7. Bulletins and invitations advertising
BULLETINS, INVITATIONS, AND INVITATIONAL BULLETINS Bulletins and invitations are widely—and successfully—used for business-tobusiness seminars to sell products and services. They are discussed together because, for advertising and promotional purposes, their uses are frequently the same. Bulletins are also used for two other purposes with which you may be involved as a creative resource: 1.Bulletins that must be posted, but that no one reads. State an...

8. Advertising mail and direct marketing methods
DIRECT MARKETING METHODS Direct magazine’s 2002 analysis shows 19 methods to persuade or sell your prospects and customers through direct marketing. Though not all are in this article, they all are covered in this article. • Card packs • Fax marketing outbound • Catalogs • Freestanding inserts • CD-ROM marketing • Inbound telemarketing (including toll-free) • Co-op mailings • Interactiv...

9. Mailing lists advertising
MAILING LISTS The single most important factor in selling by mail is the mailing list. According to a Dun & Bradstreet online report, other factors being equal, the list contributes 60 percent to the success of your mailing. Offer is given 20 percent; copy, 15 percent; and format (design, envelope, art treatment, etc.), 5 percent. The art and science of selecting lists lie in our ability to match the recipient with the offer—to mail only to those most likely to buy. No...