Communications and advertising objectives

an article added by: Flint O. at 09282009


In: Root » Business » Advertising » Communications and advertising objectives

French Spanish Portuguese Italian German Japanese Chinese Korean Russian Arabic

A common source of difficulty or inaccuracy is the very easy confusion between two kinds of objective:

- marketing

- communications.

If the chairman says to the advertising manager, ‘Our sales are down. Go out and do me a £20,000 advertising campaign to sell 10,000 more units by early summer’, this is likely to lead to confusion between the two kinds.

Marketing or corporate objectives specify what the whole organisation is setting out to do, often expressed in commercial terms:

- to sell X amount of goods

- to achieve Y amount of turnover or income

- to gain Z percentage share of the market

- to achieve some sort of profit return.

These are not in themselves communication goals. They are wider than that.

Communications or advertising objectives set out to state what the advertising is required to do in its own terms, which is usually a particular kind of effect on a selected target audience, such as:

- to create awareness

- to build demand

- to create a favourable opinion

- to bring in customer enquiries.

It does not of itself sell goods (unless the subject area is direct marketing) but it creates the conditions for selling goods.

Therefore, the advertiser must be aware of the distinction between these categories of objective, and resist being saddled with objectives that do not properly lie in the advertising area, and so cannot properly be met.

TIMESCALE

Again, advertising works over time. The timescale is crucial. Many organisations work both by long-term and short-term objectives. In many, short term is equated with the current financial year or even perhaps just one limited sales force journey cycle. Here, too, it is necessary to be clear about objectives. An example of appropriate objectives might be:

- short term: to obtain a high awareness and recognition of the product

- long term: to have the product regarded as the best quality in the market, and to make it be perceived as being more satisfying than any other.

Some advertising can only work over time; other results may be achieved more quickly.

Moral: set specific objectives, rooted in communications effects, and which can be practically achieved in a given campaign from financial year to financial year.

TYPES OF OBJECTIVE

Advertising aims to meet a need. The cardinal requirement at the outset, therefore, is to define what that need is: to identify it and make it specific.

In many instances, advertising is a tool for problem solving, in which case setting objectives becomes an exercise in evaluating what the problem really is. Solutions are only as strong as the problem evaluation.

In the next financial year, where do the problems lie? Is it a matter of:

- low awareness of the product, or its name or its specification?

- poor understanding of its features and its benefits, hostile or indifferent attitudes to it?

- confusion between the product and its competitors?

- weaknesses in certain sectors of the market, such as one worse performing region or weaker category of customer? or

- good awareness, but low actual use of the product?

THE BRIEF

The advertising objectives that emerge may now be formed into a ‘brief’, which the advertiser can use for internal purposes, or which can be transmitted to outside advertisers, such as advertising agencies, for action. The format for a brief will vary; no two are alike.

legal disclaimer

Our website is not responsible for the information contained by this article. Web-articles is a free articles resource.
Suggestion: If you need fresh, daily updated content for your website, feel free to use our service. Click here for more information.

related articles

1. How to Design Your Ad without Being a Designer
Look through the publications in which you expect to advertise, and pick out those ads which you feel are well designed and are aimed at your audience. Equally important, they must be the same size as the ad you wish to produce. Try to find several examples, especially those with different amounts of manuscript—what copywriters call “light,” “medium,” or “heavy.” Now pick two or three you like best. These will be your models. Everything you do to create your ad will be based on one of th...

2. How to write an ad
WRITING THE AD: WHERE TO START Every ad is made up of four elements: 1. The headline, commonly called “the head.” 2. Body copy, which is everything except the headline and the identifying signature, or “logo.” 3. The offer, which is part of the body copy but has to be thought out separately. 4. The logo, or signature, which identifies you and is generally the same as or very similar to your letterhead. My person...

3. Advertising Typesetting Options
1. Outside production service. Turn over the ad to an outside service and let them do everything else. This is the easiest way to go, and not too expensive. 2. Desktop publishing. If you are very skillful at using your computer to set type, try to typeset the ad yourself. But unless the end result looks as good as professional typesetting, turn it over to the pros. 3. Typesetting by your medium. If your advertisement will run in a single magazine or news...

4. Cooperative advertising
COOPERATIVE ADVERTISING Cooperative (co-op) advertising is an agreed-on sharing of specified advertising costs or other promotional costs among manufacturers and retailers or analogous groups. Co-op is an arrangement beneficial to both manufacturers and their business partners and an excellent way to expand advertising and promotion dollars. Co-op can extend far beyond the traditional print and broadcast media; in fact, many manufacturers now allow Internet advertising under the guidelines o...

5. Who reads newspapers
WHO READS NEWSPAPERS The simple and truthful answer to “Who reads newspapers?” is “Just about everyone!” Though the trend in newspaper readership is downward, the majority of adult Americans, regardless of income, race, or sex, read either a daily or Sunday newspaper, and many of them read both. Furthermore, they read their paper not only for news and features but according to an Advertising Age study, even more intensely for the paper’s advertising, in...

6. Flyers, Brochures, Bulletins, and Invitations
FLYERS AND BROCHURES: HOW THEY DIFFER In standard trade usage, a flyer is made from a single sheet of paper. By contrast, a brochure is in articlelet format. In working with outside sources, find out what distinction they make, so that you both speak the same language. Because different suppliers may have different definitions, keep your internal nomenclature consistent and “translate” as you go along. A BRIEF MANUAL OF PROCEDURES...

7. Brochures layout and design
A BASIC DESIGN CONCEPT The One-Third Guide For a one- or two-page piece (each page is one side of a sheet of paper, not the sheet itself ), allow approximately one-third of the space for each of the: • One-third for headlines and subheads, plus information about ordering or a coupon and your logo—that is, the special way you identify yourself. Frequently, your logo is also the way your name, address, phone, fax, e-mail, and website appear on your let...